Experiential Extensions

Art;Digital;Animation;Sculpture;Photography;Three-dimensional;Image;Virtual Reality;Perception;Time;Space;Fabrication;Contemporary;Art and Design;Arts

Johnston, Edward S.Ann Arbor ;

University of Michigan

关键词: Art;    Digital;    Animation;    Sculpture;    Photography;    Three-dimensional;    Image;    Virtual Reality;    Perception;    Time;    Space;    Fabrication;    Contemporary;    Art and Design;    Arts;   

Others  :  https://deepblue.lib.umich.edu/bitstream/handle/2027.42/60928/2008_Johnston_MFA_Thesis.pdf?sequence=1&isAllowed=y

瑞士|英语

来源: The Illinois Digital Environment for Access to Learning and Scholarship

【 摘 要 】

This thesis examines the work of the artist Edward S. Johnston in relation to thenotion of re-enchanting human experience. The thesis begins with a philosophical basisfor understanding enchantment and disenchantment with respect to the filters of timeperception and space perception. This is followed by an exploration of reasons for reenchantmentand the creative work of a variety of artists who have established responsesto disenchantment. Johnston then describes, presents, and discusses his creative worksthat aim to re-enchant human experience through a complex, conscious engagement withtechnology, perception, and the environment.