Movement as Medicine and Screendance as Survivance: Indigenous Reclamation and Innovation During Covid-19

The International Journal of Screendance

Tria Blu Wakpa¹  Kate Mattingly² 

[1] University of California, Los Angeles;University of Utah;

关键词: native american;    cartesian dualism;    dance;    digital;    land back;    survivance;    homecoming;    online;    settler colonialism;    interdependence;    worldsense;   

DOI  :  10.18061/ijsd.v12i0.7821

来源: DOAJ

【 摘 要 】

Indigenous screendance challenges US settler colonial constructions that drive political, environmental, and global injustices, which the Covid-19 pandemic has exacerbated. This article analyzes online workshops taught in 2020 by Rulan Tangen, Founder and Director of DANCING EARTH CREATIONS, as "movement as medicine" and "screendance as survivance." By connecting Tangen's workshops to Indigenous peoples' historical and ongoing uses of dance and the digital sphere for wellbeing and survival, we show how and why these practices provide powerful possibilities to counter settler colonial concepts of anthropocentrism, Cartesian dualism, patriarchy, and chronological time. Tangen's teaching offers ways for humans and more-than-humans—meaning land, cosmos, nonhuman animals, water, and plants—to (re)connect, drawing on the past to imagine the future and building human solidarity, which we theorize as "homecoming." Ultimately, we link our concept of "homecoming" to the Land Back movement because of the vital connections among Indigenous bodies, sovereignty, and survival.

【 授权许可】

Unknown