Caracteres: Estudios Culturales y Críticos de la Esfera Digital | |
Una red transmedia para el hombre araña: a propósito de Spider-Man Noir | |
Santiago García Sanz1  | |
[1] Universidad de Vigo; | |
关键词: comic books; Marvel Noir; Spider-Man; transmedia narratives; video games; | |
DOI : | |
来源: DOAJ |
【 摘 要 】
An almost one-century old genre, comic books have tried to find their space as a means of artistic expression since the very beginning. Emerging from Stan Lee’s creative genius in 1962 in a complete break with the hero archetype that prevailed for over two decades, and based on a pulp-literature vigilante, the Spider-Man is an atypical teenage hero that became an icon, not only of its publishing house, but of 20th-century Western popular culture. Throughout its history, the myth of the Spider-Man has undergone several revisions that fall within the American uchronic tradition in different media. Spider-Man Noir re-interprets the character as a crime detective and has eventually swung from paper to screens in order to thrive in the new century.
【 授权许可】
Unknown