Going Deeper or Flatter: Connecting Deep Mapping, Flat Ontologies and the Democratizing of Knowledge

Humanities

Selina Springett¹ 

[1] Media, Music, Cultural Studies and Communications, Macquarie University, North Ryde, Sydney 2109, Australia; E-Mail

关键词: deep mapping;    performativity;    flat ontology;    actor network theory;    speculative realism;    object oriented ontology;    urban rivers;    creative practice;   

DOI  :  10.3390/h4040623

来源: mdpi

【 摘 要 】

The concept of “deep mapping”, as an approach to place, has been deployed as both a descriptor of a specific suite of creative works and as a set of aesthetic practices. While its definition has been amorphous and adaptive, a number of distinct, yet related, manifestations identify as, or have been identified by, the term. In recent times, it has garnered attention beyond literary discourse, particularly within the “spatial” turn of representation in the humanities and as a result of expanded platforms of data presentation. This paper takes a brief look at the practice of “deep mapping”, considering it as a consciously performative act and tracing a number of its various manifestations. It explores how deep mapping is a reflection of epistemological trends in ontological practices of connectivity and the “flattening” of knowledge systems. In particular those put forward by post structural and cultural theorists, such as Bruno Latour, Gilles Deleuze, and Felix Guattari, as well as by theorists who associate with speculative realism. The concept of deep mapping as an aesthetic, methodological, and ideological tool, enables an approach to place that democratizes knowledge by crossing temporal, spatial, and disciplinary boundaries.

【 授权许可】

CC BY   
© 2015 by the authors; licensee MDPI, Basel, Switzerland.