期刊论文详细信息
BMC Medical Education
An exploratory study of the potential learning benefits for medical students in collaborative drawing: creativity, reflection and ‘critical looking’
Inam Haq1  Tom Ainsworth3  Patrick Letschka3  Philippa Lyon2 
[1] Brighton and Sussex Medical School, Mayfield House, Falmer, Brighton BN1 9PH, UK;Centre for Research and Development, Faculty of Arts, University of Brighton, 58-67 Grand Parade, Brighton BN2 0JY, UK;Faculty of Arts, University of Brighton, 58-67 Grand Parade, Brighton BN2 0JY, UK
关键词: Collaboration;    Interdisciplinarity;    Self-reflection;    Drawing;    Creativity;   
Others  :  1138888
DOI  :  10.1186/1472-6920-13-86
 received in 2012-10-18, accepted in 2013-05-02,  发布年份 2013
PDF
【 摘 要 】

Background

Building on a series of higher educational arts/medicine initiatives, an interdisciplinary drawing module themed on the human body was developed for both year 3 Craft students and year 3 Medicine degree students. This became the subject of a research project exploring how the collaborative approach to drawing adopted on this module impacted on the students’ learning. In this article, emphasis is given to issues thought to have most potential relevance to medical education.

Methods

Using an ethnographic research design, the methods adopted were: direct observation of all aspects of the module sessions, audio and video recordings and photographs of the sessions, the incorporation of a semi-structured discussion at the end of each session, and anonymous student questionnaires.

Results

A number of key themes emerged. The complex, phased and multi-sensory nature of the ‘critical looking’ skills developed through the drawing exercises was seen as of potential value in medical education, being proposed as analogous to processes involved in clinical examination and diagnosis. The experience of interdisciplinary collaborative drawing was significant to the students as a creative, participatory and responsive form of learning. The emphasis on the physical experience of drawing and the thematic use of the human body as drawing subject led to reflective discussions about bodily knowledge and understanding. There were indications that students had a meta-cognitive awareness of the learning shifts that had occurred and the sessions provoked constructive self-reflective explorations of pre-professional identity.

Conclusions

This preliminary study suggests, through the themes identified, that there may be potential learning outcomes for medical students in this model of interdisciplinary collaborative drawing of the human body. Further research is needed to explore their applicability and value to medical education. There is a need to explore in more depth the beliefs, motivations and learning styles of medical students opting for the module, the significance and weighting of different learning and teaching elements in the module and the impact of the learning on medical students in the immediate post-module phase.

【 授权许可】

   
2013 Lyon et al.; licensee BioMed Central Ltd.

【 预 览 】
附件列表
Files Size Format View
20150320150637559.pdf 203KB PDF download
【 参考文献 】
  • [1]Macnaughton J: Flesh revealed: medicine, art and anatomy. In The Body and the Arts. Edited by Saunders C, Maude U, Macnaughton J. Basingstoke: Palgrave Macmillan; 2009:72-86.
  • [2]Macdonald S: A Century of Art and Design Education: From arts and crafts to conceptual art. London: University of London Press; 1970.
  • [3]Loudon ISL: Sir Charles Bell and the anatomy of expression. Br Med J 1982, 285:1794.
  • [4]Lerner L: Drawing to learn science: legacies of Agassiz. J Tech Writing Communication 2007, 37(4):379-394.
  • [5]Wells F, Crowe T: Leonardo da Vinci as a paradigm for modern clinical research. J Thorac Cardiovasc Surg 2004, 127:929-944.
  • [6]Bordin G, D’Ambrosio P: Medicine in Art. Los Angeles: Getty Publications; 2010.
  • [7]Jordanova L: Defining Features: Scientific and Medical Portraits 1660–2000. London: Reaktion Books Ltd in association with the National Portrait Gallery; 2000.
  • [8]Powley E, Higson R: The Arts in Medical Education: a practical guide. Abingdon: Radcliffe Publishing Ltd; 2005.
  • [9]Kirklin D, Duncan J, McBride S, Hunt S, Griffin M: A cluster design controlled trial of arts-based observational skills training in primary care. Med Educ 2007, 41:395-401.
  • [10]Naghshineh MD, Hafler JP, Miller AR, Blanco MA, Lipsitz SR, Dubroff RP, Khoshbin S, Katz JT: Formal art observation training improves medical students’ visual diagnosis skills. J Gen Intern Med 2008, 23(7):991-997.
  • [11]Shapiro J, Rucker L, Beck J: Training the clinical eye and mind: using the arts to develop medical students’ observational and pattern recognition skills. Med Educ 2006, 40:263-268.
  • [12]Elder NC, Tobias B, Lucero-Criswell A, Goldenhar L: The art of observation: impact of a family medicine and art museum partnership on student education. Fam Med 2006, 38:393-398.
  • [13]Schaff PB, Isken S, Tager RM: From contemporary art to core clinical skills: observation, interpretation and meaning-making in a complex environment. Acad Med 2011, 86(10):1272-1276.
  • [14]Naug HL, Colson NJ, Donner DG: Promoting metacognition in first year anatomy laboratories using plasticine modeling and drawing activities: a pilot study of the ‘Blank Page’ technique. Anat Sci Educ 2011, 4(4):231-234.
  • [15]Moore CM, Lowe C, Lawrence J, Borchers P: Developing observational skills and knowledge of anatomical relationship in an art and anatomy workshop using plastinated specimens. Anat Sci Educ 2011, 4(5):294-301.
  • [16]McMenamin PG: Body painting as a tool in clinical anatomy teaching. Anat Sci Educ 2008, 1:139-144.
  • [17]Bardes C: Learning to look: developing clinical observational skills at an art museum. Med Educ 2002, 35(12):1157-1161.
  • [18]Boudreau D, Cassell EJ, Fuks A: Preparing medical students to become skilled at clinical observation. Med Teacher 2008, 30:857-862.
  • [19]Garner S: Writing on Drawing: Essays on Drawing Practice and Research. Bristol: Intellect Books; 2008.
  • [20]The Drawing Research Network. [http://www.drawing-research-network.org.uk/ webcite]
  • [21]Cook B: The design student experience in the museum. In Museums and Design Education: Looking to Learn, Learning to See. Edited by Cook B, Reynolds R, Speight C. Farnham: Ashgate; 2010.
  • [22]Ridley P, Rogers A: Clinical Education, Health & Social Care. Brighton: Centre for Learning & Teaching, University of Brighton; 2010. [From the series Drawing to Learn]
  • [23]Rogers A: Drawing encounters: a practice-led investigation into collaborative drawing as a means of revealing tacit elements of one-to-one social encounters. PhD thesis. London: University of the Arts; 2008.
  • [24]Kumagai AK: Forks in the road: disruption and transformation in professional development. Acad Med 2010, 85(12):1819-1820.
  • [25]Dewey J: How we think. New York, NY: Barnes & Noble; 2005.
  • [26]Mezirow J: Transformative Dimensions of Adult Learning. San Francisco, Calif: Jossey-Bass; 1991.
  • [27]Monrouxe LV: Identity, identification and medical education: why should we care? Med Educ 2010, 44:40-49.
  • [28]Royal College of General Practitioners (RCP): Medical Generalism: Why expertise in whole person medicine matters. London: RCP; 2012. June
  • [29]McCullough M: Bringing drama into medical education. Lancet 2012, 379(9815):512-513. 11 February
  • [30]Perry M, Maffulli N, Willson S, Morrissey D: The effectiveness of arts-based interventions in medical education: a literature review. Med Educ 2011, 45:141-148.
  文献评价指标  
  下载次数:9次 浏览次数:28次