会议论文详细信息
International Multi-Conference on Industrial Engineering and Modern technologies
Hot Enamel and Visual Communications in the Far Eastern Region
Aslanova, E.S.^1 ; Bavykin, V.S.^1 ; Levataev, V.V.^1 ; Grichanovskaya, E.S.^1
FSBEI of Higher Education, Amur State University of Humanities and Pedagogy, Komsomolsk-na-Amure
681000, Russia^1
关键词: Ancient technologies;    Art historians;    Cincinnati;    Eastern regions;    Modern technologies;    Technological properties;   
Others  :  https://iopscience.iop.org/article/10.1088/1757-899X/463/3/032071/pdf
DOI  :  10.1088/1757-899X/463/3/032071
来源: IOP
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【 摘 要 】

The article presents the analysis of Russian and foreign experience in the development of artistic enamel. Hot enamel is a craft and art simultaneously. This kind of creativity unites craftsmen, artists, designers and art historians from different countries: Limoges (France), Cincinnati (USA), La Kurun (Spain), Emalis (Yaroslavl), and others. The union of glass, metal and fire is the area where a master manages to grade up with nature in beauty and deep naturalness. Historical demands of ancient technology determined the indefatigability of the experiment: from the icons and books frames of XV-XVI centuries up-to-date art objects of visual communication in the 21st century. Particular attention is paid to the development of hot enamel in the Far East. It is in the enamel art where the Far Eastern masters, modern artists and designers have developed their own plastic language. It is of special interest to disclose the graphic, expressive, technological properties of the author's technology of hot enamel, which gives special depth and expressiveness to historical and mythological themes developed by the artists. Modern technology of hot enamel is the example of modernization of traditional type of decorative art and applied art. Unpredictability of the process of creating the most complicated alloy invariably requires from the master instant improvisations, innovation in decorative and technological moments.

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