This paper analyzes Cho Se-hee;;s A Dwarf Launches a Little Ball in terms of continuity and discontinuity, and relates to Cho Se-hee;;s work in the future. I would like to conduct an authoritative study. After the publication of The A Dwarf Launches a Little Ball, Cho Se-hee says that the readers;; response was not his intention. He says that what he was trying to say was something else, and people;;s praise and evaluation only make him more ashamed. Why was Cho be shameful and embarrassing? The writer Cho Se-hee kills a dwarf, and narrates the story after the death of dwarf, but his eyewitness writing drifts after losing the dwarf. Eyewitness writing is not a character;;s actions or events, but a realistic conveying of the ;;feel;; and ;;mood;; of the moment. You might call it ;;reality of mind;; And the realism of this mind is prominent in describing the temporal and spatial background and in describing the psychology of the character. And before the dwarf;;s death, Cho Se-hee does not depict anyone as an evil figure and does not portray the clear composition of good and evil or the struggle of the right people. He writes about someone who was honest before his survival. But after the dwarf;;s death, the principles of witness writing collapse. The position of the main character ;;dwarf,;; who was described by the people around him, is replaced by ;;youngsoo;;, the person who leads the narrative. In addition, men occupy the place of women who were the main characters of the narrative, and the main principles he presented in his early works are denied later. After the dwarf;;s death, people have not paid much attention toCho Se-hee;;s wandering and confession of shame. As Cho Se-hee said, people wrapped and praised his work with admiration and sultry clothes, but he did not care why Cho was so bound by the feelings of shame and regret. Cho Se-hee said that he thought that his story must be ;;live with destruction” and delivered to readers as a story of warm love and suffering blood. This means what he wanted to convey and how eager he wanted to convey it. He had both identity as a witness and identity as a writer who wanted to convey what he saw. And it was the identity as a witness that essentially defined him in A Dwarf Launches a Little Ball. However, after the dwarf;;s death, Cho Se-hee;;s self-consciousness changes more literally, leading him away from eyewitness writing. He has turned from a person who is trying to show and communicate what the world and people he has witnessed to give a solution and to be the agent who gives it. In other words, eyewitness writing has become a writer;;s writing, and witnesses who want to tell the truth have been transformed into prophets who have to awaken people. The witness;;s call for the survival of the gears to tell the story of them became a legitimate dogma. Before the dwarf;;s death, while talking about the dwarf through the focusing speaker, he became a person who talked about his lens not talking about others through the lens.
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