Natural history and British women writers, 1730-1830

natural history;British women writers;enlightenment;history of science;botany;zoology;Geology;British literature;eighteenth century;Romanticism

Bailes, Melissa

关键词: natural history;    British women writers;    enlightenment;    history of science;    botany;    zoology;    Geology;    British literature;    eighteenth century;    Romanticism;   

Others  :  https://www.ideals.illinois.edu/bitstream/handle/2142/32043/Bailes_Melissa.pdf?sequence=1&isAllowed=y

美国|英语

来源: The Illinois Digital Environment for Access to Learning and Scholarship

【 摘 要 】

The late eighteenth-century poet, Maria Riddell, used zoological hybridity as a racial metaphor for West Indian colonies’ potential to foster “British” national identity, with its mixed heritage and allegiances.This is the subject of my dissertation’s second chapter, and what it shows is that, at a time when women writers did not possess political power, some, such as Riddell, exerted cultural authority through the natural sciences.Natural history (comprising the fields of botany, zoology, and geology) dramatically rose in popularity in the latter half of the eighteenth century.During this time, naturalists drew analogies between natural and social orders, arranging “classes” and “kingdoms” in ways that naturalized cultural and national hierarchies.My manuscript, Natural History and British Women Writers, 1730-1830, argues that women, including Eliza Haywood, Charlotte Smith, and Mary Shelley, often claimed scientific superiority to naturalists to destabilize seemingly fixed identities and revise not only biological but also social and literary taxonomies.For example, my third chapter explores Anna Seward’s development of a literary taxonomy that interrelates biological and poetic forms.Through this attention to women’s scientific literature, my study also casts new light on the period’s debates about literary originality, with important consequences for our understanding of writers such as Alexander Pope, Oliver Goldsmith, William Wordsworth, and Lord Byron.