What a difficult task it is for music to fulfil the demands of an epic theatre: a discussion of the role of epic music in Bertolt Brecht's plays

BH Aesthetics;PT Germanic literature;ML Literature of music

Rambo-Hood, Markee H. ; Heinrich, Anselm

University:University of Glasgow

Department:School of Culture and Creative Arts

关键词: Epic Music, Epic Theatre, Brecht, Kurt Weill, Threepenny Opera, The Mother, The Rise and Fall of the City of Mahagonny.;   

Others  :  http://theses.gla.ac.uk/2298/1/2009rambohoodmphil.pdf

来源: University of Glasgow

【 摘 要 】

Music is an essential component of theatre. Music was crucial for the early Greek plays, to the height of Italian opera and up to our current theatre. The writer and director Bertolt Brecht recognized the impact music had in the theatre and incorporated music into his extensive Epic Theatre theories. At the same time though, I have encountered discontinuity between Theatre and Music Studies, as the two rarely overlap. In this thesis I look to ascertain the exact role that music plays within Brecht’s Epic Theatre theories. I will also discuss if Brecht’s theories operate in the same format for all of my case studies and lastly, I will conclude if Brecht’s theories were static or if they developed over time. With this I hope to determine if Brecht’s Epic Music is an achievable theatrical device.To do this, I will first define Epic Theatre and Epic Music.From this I will formulate a structure against which to place the plays The Threepenny Opera, The Rise and Fall of the City of Mahagonny (1930) and The Mother (1932).I will then analyse my three case studies against this structure to determine how the music functions within each play.From this point I aim to determine the exact role that music plays within Brecht’s theories in order to give proper weight and significance to an essential component of Epic Theatre and to determine if Epic Music is a viable theory.