The cinematic work of Nikos Nikolaidis and female representation

PN Literature (General);PN1993 Motion Pictures

Fotiou, Mikela ; Eleftheriotis, Dimitris

University:University of Glasgow

Department:School of Culture and Creative Arts

关键词: Greek cinema, authorship, female representation, postmodernism, pastiche, film noir;   

Others  :  http://theses.gla.ac.uk/6729/7/2014FotiouPhd-coversheet.pdf

来源: University of Glasgow

【 摘 要 】

This thesis examines the work of Greek postmodern filmmaker Nikos Nikolaidis with a specific focus on female representation. I examine Nikolaidis as an auteur and I trace elements throughout his oeuvre that contribute to the formation of his authorial signature. Nikolaidis’s work is autobiographical and highly political. Nikolaidis’s cinema does not abide by the traditional theories of ‘Greekness’, and his main influences are American cinema, and specifically for film noir, rock ‘n’ roll culture and his antiauthoritarian ideology. All these elements are combined together within his work through the use of pastiche.I examine Nikolaidis’s work according to Richard Dyer’s notion of pastiche. Through pastiche he expresses nostalgia for rock ‘n’ roll culture and film noir, but also he expresses his concern for the future. Nikolaidis pastiches a selection of film genres and specific films in order to appropriate the elements that interest him. His pastiche work shows that the filmmaker addresses cineliterate audiences that would ideally understand his dialogue with the different genres and films he pastiches.With regards to female representation in Nikolaidis’s films, women are given leading roles, exhibit varying degrees of agency, and are presented as stronger and more powerful than men. However, their representations remain paradoxical, complex and misogynistic. While on the one hand, women are portrayed as powerful, independent, and able to subvert patriarchy, on the other hand, they are often used as props, rendering their representation inconsistent and problematic. Nikolaidis differentiates and juxtaposes two types of women throughout his work: the powerful women versus the unimportant women. Those who do not conform to the powerful female characteristics are characterised within the second category. Since Nikolaidis was highly influenced by film noir, his female protagonists pastiche the classic film noir figure of the femme fatale.