Two beheadings and a haircut: The (mis) treatment of biblical women in Belle Époque painting

BS The Bible;D History (General);ND Painting

Sproull, Katie Louise ; Pattison, George

University:University of Glasgow

Department:School of Critical Studies

关键词: biblical studies, Judges, Book of Judith, Matthew, Mark, Salome, Judith, Delilah, old testament, new testament, art history, feminism, nineteenth century, twentieth century, femme fatale, impressionism, expressionism, academic art, orientalism, symbolism, Gustave Moreau, Henri Regnault, Franz von Stuck, Max Oppenheimer, Gustav Klimt, Jean-Joseph Benjamin-Constant, Gustav Adolf-Mossa, Max Liebermann, Lovis Corinth, European Art.;   

Others  :  http://theses.gla.ac.uk/9122/1/2018sproullmth.pdf

来源: University of Glasgow

【 摘 要 】

This thesis is playfully entitled “Two Beheadings and a Haircut” due to my focus on three biblical women: Salome and Judith, who each belong to a ‘beheading narrative’ and Delilah, who hacks off a man’s hair. Throughout this thesis, I examine nine diverse paintings from the Belle Époque period and analyse why artists from an assortment of cultural movements approach these characters similarly; eroticising and vilifying them as femmes fatales. I will consider the artists’ respective motives for the (often drastic) modifications of biblical narratives and investigate why they emphasised or ignored specific facets of the characters’ pretextual and metatextual personalities.I will explore the biblical texts of each respective figure and her on-canvas life using three case studies per woman. I also approach these paintings while foregrounding the historical, social, and political contexts of each artist, and the influence such conditions had on their perceptions of women. This thesis is interdisciplinary in nature and I have conducted research into each artist’s life, the social movements and political situations of their countries, and their influences from literature, theatre, and other artists.