A Trans-American Dream: Lupe Velez and the Performance of Transculturation.

This Dissertation Documents the Career;Persona(E);and Cultural Memory of the Mexican Actress;Lupe VéLez (1910-1944).;An (Inter) American Cultural History Covering 1925-1999.;Film Studies;Cinema Studies;Screen Arts and Cultures;History (General);Humanities (General);Latin American and Caribbean Studies;Women"s and Gender Studies;Humanities;Screen Arts and Cultures

Rawson, Kristy A.Gunckel, Colin ;

University of Michigan

关键词: This Dissertation Documents the Career;    Persona(E);    and Cultural Memory of the Mexican Actress;    Lupe VéLez (1910-1944).;    An (Inter) American Cultural History Covering 1925-1999.;    Film Studies;    Cinema Studies;    Screen Arts and Cultures;    History (General);    Humanities (General);    Latin American and Caribbean Studies;    Women";    s and Gender Studies;    Humanities;    Screen Arts and Cultures;   

Others  :  https://deepblue.lib.umich.edu/bitstream/handle/2027.42/93812/krawson_1.pdf?sequence=1&isAllowed=y

瑞士|英语

来源: The Illinois Digital Environment for Access to Learning and Scholarship

【 摘 要 】

This dissertation documents the career, persona(e), and cultural memory of the Mexican actress, Lupe Vélez (1910-1944). In addition to offering analyses of Vélez films, I draw on archives of news and fan discourse produced between 1925 and 1999 out of Mexico, Mexican American Los Angeles, and the Anglo-hegemonic United States. A Trans-American Dream shows how Lupe Vélez came to signify, within cinematic and public discourse, the Mexican/U.S. contact zone. I explore Vélez’s work chronologically, documenting each phase of her career(s) in North America: her celebrity within Mexican popular theater, her stardom in Hollywood silent cinema, her transition to talking pictures, her work on the Broadway stage, her transition to Hollywood B-class comedies, her two Mexican films, her death, and the posthumous appropriation of her persona in popular discourse and in queer underground film. My dissertation centers on the notion of performance as both a central quality of Vélez’s professional craft and a concept through which to understand the industrial strategies underlying her representations. Vélez’s varied personae amount, I argue, to a set of industry performances of transculturation. I employ the term transculturation (Fernando Ortiz, 1940), with an emphasis on its double valence, recognizing the distinct operations of her national (Mexican mestiza) and her transnational (Mexican American) instantiations of transculturation. Vélez was deployed––and she deployed herself––on the front lines of multiple discursive battlefields. She came to signify contestations of race, class, ethnicity, gender, and marriage.She fought for her cultural inclusion within industries that mobilized her precisely to publicly ;;include her out.” Thus in her wake lies the opportunity to reconceptualize Hollywood’s historical function as mass-cultural mediator.My project moves beyond the reductive ;;Spitfire” characterization––a trope invented for Lupe Vélez in order to define and contain the U.S. Latina image––to reveal Vélez as emblematic of a more profound phenomenon: the creative adaptability that defines her as a truly transcultural agent. This study of Lupe Vélez –– a ;;minor” (and ;;minority”) star –– joins those that seek to broaden the practice of star scholarship by trans-valuing the terms by which we assess individual public prominence.