Paloma Bianchi’s Choreographic Work Hacia as a Practice of Amerindian Perspectivism

Revista Brasileira de Estudos da Presença

Diana Delgado-Ureña Díez¹ 

[1] Universidad de Zaragoza;

关键词: choreography;    amerindian perspectivism;    subjectivation processes;    relationship modes;    corporeality;   

DOI  :  

来源: DOAJ

【 摘 要 】

This text analyzes Hacia (2019) as a critical choreographic device facing the problem of disenchantment of the world derived from the separation between nature and culture inherited from Modernity/coloniality. Hacia puts into practice two notions of Amerindian perspectivism: one that recognizes the relational agency of all entities in the world; and another which raises knowledge as a process of subjectivation that implies bodily, sensory and imaginative dimensions. This analysis proposes a dialogue between the areas of anthropology and contemporary performing arts creation in Brazil.

【 授权许可】

Unknown