OBOE | |
New Start: the Marrgu Residency Program and the Future of Showing | |
关键词: artist residency; ostension; hosting; gift exchange; digital residency; marrgu residency program; durrmu arts aboriginal corporation; | |
DOI : 10.25432/2724-086X/2.1.0004 | |
来源: DOAJ |
【 摘 要 】
This paper addresses the ontology of residencies, interrogating artist residencies in relation to the ostensive, that involves the act of showing, displaying, exhibiting and demonstrating something. By focusing on a digital project curated by the author for the Marrgu Residency Program—an Indigenous-led initiative developed by the Durrmu Arts Centre in Peppimenarti (Northern Territory, Australia)—La Rosa employs a practice-led rather than purely theoretical methodology. In parallel, and through a discussion on the current developments of the Marrgu digital residency, the paper addresses the future of showing for regionally based artists of non-Western heritage, in a globalised digital world. It ultimately advocates for an innovative understanding of ostension framed as a hosting practice: an act of connection rather than display.
【 授权许可】
Unknown