Arte y resistencia cultural. A propósito de la Escena de Avanzada y la dictadura militar del General Pinochet

Confluenze

Juan Pablo Silva-Escobar¹  Valentina Raurich² 

[1] CENTRO DE INVESTIGACIONES EN ARTES Y HUMANIDADES (CIAH), UNIVERSIDAD MAYOR, CHILE – UNIVERSIDAD BERNARDO O’HIGGINS;INVESTIGADORA INDEPENDIENTE;

关键词: chile;    dictadura militar;    arte neovanguardista;    crítica cultural;   

DOI  :  10.6092/issn.2036-0967/11397

来源: DOAJ

【 摘 要 】

The essay examines the complex relationship between the Chilean military dictatorship and the symbolic production about it. Specifically, we will analyze the neovanguardist art of Escena de Avanzada, whose artistic practices provide interesting visual and discursive materials. Those materials help to understand how experimental art was trying to reconfigure the Chilean artistic field and produce a critical discourse against the shuddering landscape imposed by the dictatorship. All this led to a counter-hegemonic look at the readability of history in a context of horror and destruction of the human condition.

【 授权许可】

Unknown