The expressive power of the Possible Worlds Theory in video games: when narratives become interactive and fictional spaces

Comunicação e Sociedade

Antonio José Planells de la Maza¹ 

[1] Centro Universitario de Tecnología y Arte Digital (U-tad) – Universidad Camilo José Cela;

关键词: Video games;    possible worlds;    narrative;    game space;    fiction;   

DOI  :  10.17231/comsoc.27(2015).2102

来源: DOAJ

【 摘 要 】

The philosophical concept of possible worlds (Lenzen, 2004; Lewis, 1986) has been used in literary studies and narratology (Dolezel, 1998; Eco, 1979) to define the way in which we conceive different narrative possibilities inside the fictional world. In Game Studies, some authors have used this concept to explore the relationship between game design and game experience (Kücklich, 2003; Maietti, 2004; Ryan, 2006), while Jesper Juul (2005) has studied the fictional world evoked by the connection between rules and fiction. In this paper we propose a new approach to video games as ludofictional worlds - a set of possible worlds which generates a game space based on the relationship between fiction and game rules. In accordance with the concepts of minimal departure (Ryan, 1991) and indexical term (Lewis, 1986), the position of the player character determines his/her actual world and the next possible or necessary world. Lastly, we use this model to analyse the video game The Elder Scrolls V: Skyrim and show that the possible worlds perspective provides a useful, flexible and modular framework for describing the internal connections between ludofictional worlds and the interactive nature of playable game spaces.

【 授权许可】

Unknown