Estética post-humanaen la obra gráfica de Claudio Romo

Altre Modernità

ClaireMercier¹ 

[1] Universidad de Talca;

关键词: Claudio Romo;    graphic work;    post-humanism;    modernity;    bestiary;   

DOI  :  10.54103/2035-7680/16805

来源: DOAJ

【 摘 要 】

This paper considers the graphic work of the Chilean artist Claudio Romo from a post-human perspective. Romo's work realizes an opening of imaginaries, above all, new configurations of human being, in order to reconsider the boundaries of human nature and propose a new humanism in relation to a new understanding of modernity. After a theoretical tour of post-humanism, especially of Rosi Braidotti's philosophical nomadism, the paper will approach the post-human bestiary that elaborates Romo, on the one hand, as a questioning of access to empirical realities and, on the other hand, as a presentation of potential life forms. The paper will conclude on the presence, in Romo’s work, of a new affirmative humanism, that is, the experimentation of new modes of subjectivization, as well as the approach of new modes of knowledge.

【 授权许可】

Unknown