Hiper-realidade e hibridação no cinema contemporâneo

Significação: Revista de Cultura Audiovisual

Denize Correa Araujo¹ 

[1] Universidade Tuiuti do Paraná/UTP;

关键词: Hiper-realidade;    Hibridação;    Rizoma;    Dialogismo;    Intertextualidade;   

DOI  :  10.11606/issn.2316-7114.sig.2005.90554

来源: DOAJ

【 摘 要 】

This essay intends to analyze three moments in which two aesthetics become hybrid: in the short Como se morre no cinema (Luelane Correa, 2001), a rereading of the “hunger aesthetics” in postmodernist version; in the feature film Ladrões de sabonete (Maurizio Nichetti, 1989), a counterpoint between neo-realist aesthetics and publicity; and in Dogville (Lars von Trier, 2004), considered “fusion cinema” within the Dogma proposal. I intend to work with Baudrillard's concept of hyperreality, Deleuze-Guattari' s notions of rhyzome, Kristeva s approach of intertextuality, Eco s concept of open work, and Bahktin's notion of dialogism.

【 授权许可】

Unknown