Hypersexualisation discursive et vaginalisation du discours chez Isabel Franc

Ambigua

Caroline Lepage¹ 

[1] Université de Poitiers;

关键词: isabel franc;    spain;    gender;    lesbianism;    intertextuality;    vagina;    identity.;   

DOI  :  

来源: DOAJ

【 摘 要 】

Doesgenderaffectswriting?Askingthisirritatesmanyauthors,readers and critics: they are convinced that writing has nothing to do with sex and gender. Still, this question inhabits the core of Isabel Franc (akaLola Van Guardia)'swork,sinceherfirstnovel, Entretodaslasmujeres(1992),to her last one, Elogio del happy end(2012). To Franc, the text, its forms and contentsmustbe,transcribeandbrandishfemininityinastatementof radical identity and political activism —that is lesbianism, as it happens, in many sorts of more or less experimental versions according to the use of narrativeanddiscursiveplans(aboveall,byusingaveryspecialkindof intertextuality).Itaimstochangethepointofviewandputrealityupside downbymakingbothcharactersandgrammar feminine,andeven lesbian, to force new ways of looking at established order. First, this paper definesthetheoreticalandideologicalbasisFrancerectsherworkon, thentheoutlinesofherwork(whereshebuildsherauthorself).Itstudies the different phases of this process, following its constructing and deconstructingbypickingupandtakingbackintellectual,spiritualand culturalidealsofSpaininthesecondpartofthetwentiethcentury.A systematicanalysisofFranc'snovelsallowstofullyunderstandtheir transgressiveimpactaswellastheirlimits:theirrevolutionaryextentis ultimatelyrathersmall,becausepastthe"sole"lesbianthematic,they don'tcovernorquestionotherfactorsofthecreation/sedimentationof one's identity and simplify things so much that they can't be fully free of the classic system of domination.

【 授权许可】

Unknown