Dis-soluções textuais na casa dos espelhos modernista

Revista Crítica de Ciências Sociais

关键词: Theodor W. Adorno;    Modernism;    aesthetics;    German literature;    essay;   

DOI  :  10.4000/rccs.924

来源: DOAJ

【 摘 要 】

According to the notion of Modernism as a critical reaction to post-Enlightenment modernity, the totalitarian epistemological model of modern reason annihilated the individual through crystallized schemata that mediate the relation between the subject and the world. Modernism would be an attempt to save the individual, or an identity seeking process which dismantles established constructions of reality and produces alternative narratives of the whole that preserve the individual. Modernism becomes a self-conscious aesthetic rationality that tends to a mode of discourse that aims at contouring the subject in its relation with the world: the Essay. In German-speaking narrative fiction of the early 20th century the confluence of Modernism and essayism led to interesting textual hybrids. Here, multiple kinds of mirror effects equate the dissolution of traded epistemological and aesthetic paradigms with new solutions for a fictional re-writing of reality and the self.

【 授权许可】

Unknown