Curatorial Practices for Intersectional Programming

The International Journal of Screendance

Cara Hagan¹ 

[1] Appalachian State University, ADF's Movies by Movers;

关键词: Screendance;    Curation;    Programming;    Discrimination;    Race;    Film;    Media;   

DOI  :  10.18061/ijsd.v9i0.6046

来源: DOAJ

【 摘 要 】

Screendance finds its roots in the traditions of concert dance, museum culture, and film festivals. Film festivals - from which we borrow the structure for programming screendance - boast a history of discrimination towards bodies of color, varied gender expressions, bodies of different abilities, and more. Through an exploration of the history and socio-cultural context of film festivals in the west and dialogue with curators and directors from a handful of screendance festivals across the United States, this piece will present a set of curatorial challenges particular to our field, the creative solutions being explored by presenters and champions of screendance, and a consideration of where the field falls short, so we can better mitigate issues of underrepresentation of marginalized groups in screendance spaces.

【 授权许可】

Unknown