The International Journal of Screendance | |
Curatorial Practices for Intersectional Programming | |
Cara Hagan1  | |
[1] Appalachian State University, ADF's Movies by Movers; | |
关键词: Screendance; Curation; Programming; Discrimination; Race; Film; Media; | |
DOI : 10.18061/ijsd.v9i0.6046 | |
来源: DOAJ |
【 摘 要 】
Screendance finds its roots in the traditions of concert dance, museum culture, and film festivals. Film festivals - from which we borrow the structure for programming screendance - boast a history of discrimination towards bodies of color, varied gender expressions, bodies of different abilities, and more. Through an exploration of the history and socio-cultural context of film festivals in the west and dialogue with curators and directors from a handful of screendance festivals across the United States, this piece will present a set of curatorial challenges particular to our field, the creative solutions being explored by presenters and champions of screendance, and a consideration of where the field falls short, so we can better mitigate issues of underrepresentation of marginalized groups in screendance spaces.
【 授权许可】
Unknown