Circling Round Vitruvius, Linear Perspective, and the Design of Roman Wall Painting

Arts

JocelynPenny Small¹ 

[1] Department of Art History, Rutgers University, New Brunswick, NJ 08901, USA;

关键词: linear perspective;    skenographia;    skiagraphia;    Greek and Roman painting;    Roman fresco;    Vitruvius;    Philostratus;   

DOI  :  10.3390/arts8030118

来源: DOAJ

【 摘 要 】

Many scholars believe that linear perspective existed in classical antiquity, but a fresh examination of two key texts in Vitruvius shows that 1.2.2 is about modularity and symmetria, while 7.Pr.11 describes shading (skiagraphia). Moreover, these new interpretations are firmly based on the classical understanding of optics and the history of painting (e.g., Pliny the Elder). A third text (Philostratus, Imagines 1.4.2) suggests that the design of Roman wall painting depends on concentric circles. Philostratus’ system is then used to successfully make facsimiles of five walls, representing Styles II, III, and IV of Roman wall painting. Hence, linear perspective and its relatives, such as Panofsky’s vanishing vertical axis, should not be imposed retrospectively where they never existed.

【 授权许可】

Unknown