Théâtre(s) sous un crâne: Mallarmé et Pessoa (d’Igitur au Faust Tragédie subjective)

Carnets

关键词: Mallarmé;    Pessoa;    Mental theatre;    Heteronymism manner;   

DOI  :  10.4000/carnets.6975

来源: DOAJ

【 摘 要 】

The stepping stone of this paper is the explanation of the concept of mental theatre, core to Stéphane Mallarmé’s thought and work, in order to assess the links it establishes with the theatrical concept of ‘extra-vagant’, by Fernando Pessoa, namely in his process of heteronym creation. Its ex-centricity shall be equated based on the psycho-pathological element and through the critical concepts of manner and madness as laid down by Gérard Dessons (2004, 2010). The The third part of this paper deals with a comparative approach to Igitur or la Folie d’Elbehnon and Faust, tragédie subjective, both left unfinished and both part of an eclectic gender against any form of positivity.

【 授权许可】

Unknown