Extension du champ télécinématographique de la science-fiction. The Mandalorian (Disney+)

ReS Futurae

关键词: Disney+;    TV Series;    convergence;    Marvel;   

DOI  :  10.4000/resf.11015

来源: DOAJ

【 摘 要 】

Going beyond the expected constraints of a monomedia seriality largely based on an expected return of the characters or the variation of a plot from the cinematographic pilot, the Disney + series are rooted in shared universes and therefore transfictional (Saint-Gelais, 2011) much broader by bringing together narrative information given on other media (video games, animation, comics, etc.) that they absorb and claim. The Mandalorian (2020) and WandaVision (2021) are no longer reduced to domestic exploitations of commercial success but as the exploration of intrigue more or less on the sidelines of an initial canon. Adopting short formats renewed by broadcasting in streaming channels, these two series opt for a strong narrative identity, even unprecedented in terms of production. Science fiction is being developed, questioned or more massively rewritten here from other popular genres (western, soap, family comedy, etc.). These series are therefore part of a process of renewal of the genre by upsetting serial standardization (unequal duration of episodes, varied tones, creation of new narrative arcs, etc.) and in turn pose themselves as laboratories of science fiction telecine to come. The analysis carried out here proposes to study first of all the construction of a fiction from the Star Wars franchise by Disney studios with regard to the historical participation of the fan community in the process of creativity before returning on the media convergence strategy involved in the realization of WandaVision.

【 授权许可】

Unknown