Synergy of the Word and Music as the Basis of the Creative Method of Working by Z.P. Lodiy with Poetic Texts in Chamber Vocal Piece

Музыкальное искусство и образование

Violetta K. Zheurova¹  Elena Yu. Sharma¹ 

[1] Nonprofit Organization of higher education “Institute of modern art”;

关键词: zoyalodiy;    chambersinging;    songsbyf. schubert;    j.w. vongoethe;    s. a. adrianov;    poetic text;    literary translation;    vocalists;    word and music;    interaction;   

DOI  :  10.31862/2309-1428-2019-7-4-118-136

来源: DOAJ

【 摘 要 】

The articleisdevotedto thesynthesisof wordsandmusic in theperforming arts of thechamber singer of thefirst half of thetwentieth century,ZoyaPetrovnaLodiy.Herskillwashighlyappreciatedby the representatives of the artistic elite and caused enthusiastic responses from thegeneral public. However, over time, not only the name of thesinger was undeservedly forgotten, but the recordings of her performances became a real rarity and are not almost available for listening. Therefore, the only source for studying the work of thefamous vocalist was the memoirs of contemporaries, the periodical press, the epistolary heritage, as well as various archival materials that make it possible to form a certain idea about Z. P.Lodiy’s mastery in artistic andexpressivemeansof singing,dueto thesinger’sdeepandmultifaceted attitude to the word. An analysis of the artist’s creative heritage made it possible toidentify the key principles of her creative method of working with poetic texts in chamber vocal piece. In this regard, the particular interest is the work by Z.P.Lodiy with verbal texts when editing the collection of Songs by F. Schubert to thewords of Goethe in thetranslation of S. A. Adrianov, published in 1934 under her revision. The study showed that the unique experience by Zoe Lodiy deserves to be studied, serious scientific reflection and can provide significant assistance in training modern young performers.

【 授权许可】

Unknown