Portable Prototypes: Canterbury Badges and the Thomasaltar in Hamburg

Arts

Jennifer Lee¹ 

[1] Department of Art Education, Art History, and Art Therapy, IU Herron School of Art and Design, IUPUI, Indiana University, Indianapolis, IN 46201, USA;

关键词: badges;    Meister Francke;    Regressio;    Hanseatic League;    Thomas Becket;   

DOI  :  10.3390/arts10030051

来源: DOAJ

【 摘 要 】

Pilgrims’ badges often depicted works of art located at a cult center, and these cheap, small images frequently imitated monumental works. Was this relationship ever reversed? In late medieval Hamburg, a painted altarpiece from a Hanseatic guild narrates the life of Thomas Becket in four scenes, two of which survive. In 1932, Tancred Borenius declared this altarpiece to be the first monumental expression of Becket’s narrative in northern Germany. Since then, little scholarship has investigated the links between this work and the Becket cult elsewhere. With so much visual art from the medieval period lost, it is impossible to trace the transmission of imagery with any certainty. Nevertheless, this discussion considers badges as a means of disseminating imagery for subsequent copying. This altarpiece and the pilgrims’ badges that it closely resembles may provide an example of a major work of art borrowing a composition from an inexpensive pilgrim’s badge and of the monumental imitating the miniature.

【 授权许可】

Unknown