期刊论文详细信息
Open Screens | |
A Supercut of Supercuts: Aesthetics, Histories, Databases | |
Max Tohline1  | |
[1] Independent scholar; | |
关键词: editing; supercut; compilation; montage; archive; database; | |
DOI : 10.16995/os.45 | |
来源: DOAJ |
【 摘 要 】
The genealogies of the supercut, which extend well past YouTube compilations, back to the 1920s and beyond, reveal it not as an aesthetic that trickled from avant-garde experimentation into mass entertainment, but rather the material expression of a newly-ascendant mode of knowledge and power: the database episteme.
【 授权许可】
Unknown