Blind Concert: The World and Its Transformation through Music

AM: Art + Media

Nataša Milović¹ 

[1] Faculty of Political Science, University of Belgrade;

关键词: performing art, Blind Concert, affirming resistance, institution of art, inaesthetics;   

DOI  :  10.25038/am.v0i7.91

来源: DOAJ

【 摘 要 】

This paper presents an analysis of a Blind Concert held in Belgrade. In a Blind Concert performance, the concept of “space” transforms not for the sake of transformation itself, but because of the effect it strives to achieve. This eliminates the predominance of an institution of art dictating how a musical work should be approached. Accompanying the interpretation of piano compositions, the vocalist let out screams, voices, and noises, which, one may say, could not be summoned inside us, because they have yet to be articulated. I will articulate the effects of the desired transitional forms that have remained trapped and unrepresented in social standardization in terms of Badiou’s inaesthetics.

【 授权许可】

Unknown