| Orbit: Writing Around Pynchon | |
| The Hyperobject's Atomization of "Self" in Gravity's Rainbow | |
| T.J. Martinson1  | |
| [1] Indiana University - Bloomington; | |
| 关键词: Thomas Pynchon; Gravity's Rainbow; Hyperobjects; Rocket; | |
| DOI : 10.16995/orbit.145 | |
| 来源: DOAJ | |
【 摘 要 】
This article further inspects the Rocket and Schwarzgerät at the center of Thomas Pynchon’s 'Gravity’s Rainbow '(1974). Though scholars commonly employ the Rocket as a metaphor and symbol by which they analyze plot and characters, I inverse this approach to see what the plot and characters can reveal about the Rocket qua Rocket. Drawing from Object-Oriented Ontology—specifically Timothy Morton’s concept of the “hyperobject,” or an entity that is dispersed through time and space—I claim that the Rocket functions as a hyperobject. The tendency of scholars to avoid a claim of reality towards the Rocket, I argue, is an echo of Western philosophy’s long valorization of the epistemological over the ontological that parallels unavailability with unreality. A reading the Rocket as hyperobject reveals a plot of ontological uncertainty unfolding in the characters’ search for inherently recessive entities.
【 授权许可】
Unknown