Revista Vortex | |
Serendipity Poetry and Play in Toy Piano composition and Four Pieces for Toy Piano | |
Brian Inglis1  | |
[1] Middlesex University | |
[2] UK; | |
关键词: toy piano; composition; play; found objects; serendipity; | |
DOI : https://doi.org/10.33871/23179937.2020.8.2.5 | |
来源: DOAJ |
【 摘 要 】
In this paper I draw on literature by Xenia Pestova, Antonietta Loffredo and Maggie Williams/Margaret Leng Tan, and primary research in the form of an interview with Kate Ryder (transcribed as an Appendix) exploring aspects of toy piano performance/composition and focussing on my Four Pieces for Toy Piano (2018). These pieces were commissioned by Ryder and premiered by her in London in 2018, and subsequently published and recorded. I identify themes which emerge in, and out from, this and other professional repertoire for toy piano relating to composition and performance practice: material/materiality; sonic character, notation, collaboration and communication. I provide a poietic account of some of the processes involved in the pieces’ composition and realisation in performance.
【 授权许可】
Unknown