El placer de moverse sin ver

Actos

Ana Carvajal García¹ 

[1] Instituto Profesional Escuela Moderna de Música y Danza.Chile;

关键词: danza contemporánea;    método feldenkrais;    educación somática;    tacto;    háptico;   

DOI  :  https://doi.org/10.25074/actos.v1i1.1237

来源: DOAJ

【 摘 要 】

Thisarticletriestofigureoutthecreativeperspectiveof Háptico,mylatestplayof contemporary dance. Hápticois a scenic bet in which, on the one hand, the sense of touch is the central basis of movement, and, on the other, the body awareness is achieved through the Feldenkrais Method, which offers an intimate languaje, in an interior rhythm. This play is part of the artistic line that I have been following through my dance project por defecto danza, in which the bodies that give it life do not necessarily have to be virtuous or canonical. In Hápticothis is expressed metaphorically, because the performers are deprived of the sense of sight. In this way, the play takes place in the risk of not seeing and not being seen, so that the sense of touch emerges on stage and in the audience that empathizes with the performers

【 授权许可】

Unknown