The space/time aspect of style figures: Figures of speech, in the 'Golden fleece', by Borislav Pekić

Zbornik Radova Filozofskog Fakulteta u Prištini

Lazić Nebojša J.¹ 

[1] Filozofski fakultet, Univerzitet u Prištini, Kosovska Mitrovica%SR33-01.02;

关键词: philosophy of language;    figures of style;    ironz;    simbol;    allegory;    parabasis;   

DOI  :  

来源: DOAJ

【 摘 要 】

Borislav Pekic's seven-volume novel 'Golden Fleece' is the most comprehensive Borislav Pekic's prose text in Serbian literature. In this article, we have analyzed the figures of speech in relation to their function in the macrostructural composition of the novel. We have chosen the following figures of speech (style figures): allegory, irony, symbol, and parabasis. In considering these questions, we referred to the knowledge of the language obtained by philosophy of language and linguistics, as a scientific discipline, in adjacent relation to the science of literature. We referred to the views on the nature of language by Martin Heidegger, Ludwig Wittgenstein, Gadamer Hans-Heorg and Ferdinand de Saussure, believing that they (each within its own system of thinking of the world) penetrated deeply into the mystery of language. In short-in the in the systems of minds of all listed thinkers, the language is seen or viewed as a tool, or even as the basis of linguistic communication. Borislav Pekic uses allegorical or ironic statements and structures with a view to expose the hypocrisy in relationships between people, to show that beneath every text, a subtext (that erases everything said before) emerges. By using a powerful symbol in the narrative and direct intervention in the text (parabasis), the writer dorects the reader to the conclusion that the novel heroes live in dehumanized world, a world without future.

【 授权许可】

Unknown