Women Hip-Hop Artists and Womanist Theology

Religions

Angela M. Mosley¹ 

[1] Institute for Doctoral Studies in the Visual Arts, Portland, ME 04102, USA;

关键词: Black woman;    Womanism;    Hip-Hop;    African Indigenous Spirituality;    White supremacy;    Christianity;   

DOI  :  10.3390/rel12121063

来源: DOAJ

【 摘 要 】

Hip-Hop is a cultural phenomenon steeped in the conservative ideologies of individualism and capitalism. It sells a lifestyle and its most recent surge of rap music and popular culture spotlights Black women more than ever before. Although Black women have always been significant piece in Hip-Hop culture, their artistry has jolted its systemic capitalism and patriarchy to engage intersectionality through a discourse of classism, sexual orientation, and racism while upending White supremacy’s either:or binary. Applying the principles of Womanism, Black female Hip-Hop artists negotiate cultural identity politics as activists to innovatively expand thought on gender performance and produce a fusion of contemporary Blackness for the 21st century. Their artivism builds a safe environment of differences within society using conscious thought, language, and performative methods to defy the White American ethos of sexism, misogyny, and materialism. By garnering a better knowledge of their existence through Indigenous African spirituality, Black women reclaim ownership of their bodies from Western European standards, including race, and gender to challenge Christianity’s meaning of martyrdom. This act of reclamation provides a reformative tool of inclusion and being fluidity through Hip-Hop music and its culture.

【 授权许可】

Unknown