Black Skin, White Cameras: African Asylum-Seekers in Israeli Documentary Film

Lateral

Greg Burris¹ 

[1] American University of Beirut;

关键词: africans;    asylum;    documentary;    film;    israel;    refugees;    whiteness;    zionism;   

DOI  :  10.25158/L10.1.19

来源: DOAJ

【 摘 要 】

The recent arrival in Israel of thousands of refugees from countries like Eritrea, Ethiopia, and Sudan has triggered a spate of hate crimes and mob violence. Asked about these asylum seekers in 2012, Likud-party member Miri Regev called them a "cancer." For this comment, she later apologized—not to the African asylum-seekers but to Israeli cancer survivors, and she expressed regret for comparing them to Africans. Around that same time, Interior Minister Eli Yishai of the Shas Party told a reporter that "this country belongs to us, to the white man." Continuing on, he stated that he would use "all the tools [necessary] to expel the foreigners, until not one infiltrator remains." While the racial dynamics of Israel have been thoroughly examined with respect to both intra-Jewish tensions (Ashkenazi supremacy) and the Palestinian issue (white settler-colonialism), in this essay, I want to theorize Israeli whiteness with respect to the African refugees. Specifically, I will examine two recent Israeli documentaries dealing with African refugees—Hotline (dir. Silvina Landsmann, 2015) and Between Fences (dir. Avi Mograbi, 2016). Both openly demonstrate solidarity with the African asylum-seekers, but they do so in different ways, and if the former film leaves the racial hierarchies of Zionism intact, the latter works to shatter them.

【 授权许可】

Unknown