The Telos Alluded in the Ortega’s Philosophy of Art (the Historicism that Nicol Ignores in his Review)

Anales del Seminario de Historia de la Filosofía

Enrique Ferrari Nieto¹ 

[1] Université de Fribourg

[2]  Universität Freiburg;

关键词: autonomía del arte;    generación;    J. Margolis;    razón histórica;    vanguardias.;   

DOI  :  10.5209/rev_ASHF.2014.v31.n2.47578

来源: DOAJ

【 摘 要 】

Eduardo Nicol studies the Ortega’s historical reason: the historicism with which he reorients his vitalism. But in his review he does not include the philosophy of art: how Ortega interprets the avant-garde art as the symptom of a new era, because he understands that the defense of the autonomy of art by young artists responds to their understanding of art as inconsequential (in line with a new sensitivity vital in the early twentieth century). My thesis: With his notion of generation, Ortega starts his analysis of new art from its condition of historical product. Understood a telos for art history that places it closer to the target (pure art) than romantic art (its opposite).

【 授权许可】

Unknown