De Giotto aux indigènes civilisés : le primitif dans les horizons modernistes entre Italie, France et Brésil

Brésil(s)

卷:14

关键词: anthropophagy;    primitivism;    surrealism;    Lionello Venturi;    brazilian modernist painting;    Italy;   

DOI  :  10.4000/bresils.3920

来源: DOAJ

【 摘 要 】

The article presents three case studies: first, the concept of the primitive in the historiography of Italian Renaissance art. Next, the article discusses the notion of « sauvage » art in French Surrealism. Finally, I analyze the figure of the cannibal and the depiction of Indians in Brazilian modernism. The cases are addressed as « vertiginous perspectives », characterized by a deconstructive methodology that challenges the functions of history in understanding cultural identity.

【 授权许可】

Unknown