期刊论文详细信息
Kultura (Skopje) 卷:3
Theatre as a Figure and a Place of Cultural Memory
Lidija Kapushevska-Drakulevska1 
[1] Ss. Cyril and Methodius University, Skopje, Macedonia;
关键词: theatre, cultural memory, play, mask, figures of memory;   
DOI  :  
来源: DOAJ
【 摘 要 】

Cultural memory is the starting point for studying culture. Theatre, on the other hand, is a multidimensional play with memory; it is an emblem of a certain culture, and of the overall blending of various discourses within it. Hence the relation between theatre and memory is rather complex and multifaceted. Theatre is a medium synthesising text and performance, speech and gesture (play, acting), as well as establishing direct, at least doubly articulated communication: among the actors on stage on the one hand, and between the actors and the audience on the other. They are all subjects of theatrical memory. Theatre not only uses memory in order to create the plot, develop the characters or establish communication with the audience, but also becomes a figure of memory itself: a culturally modelled, socially mandated (iconic, narrative, etc.) memory image (Assman). Additionally, theatre may be considered a place of memory, as well. But theatre is not a simple mnemonic of repeating reality—it is not merely a simulacrum, but also a quotation of reality; it does not aim to copy or memorise reality, but to represent it and interpret it critically. This is particularly true of the contemporary rough theatre of brutality.

【 授权许可】

Unknown   

  文献评价指标  
  下载次数:0次 浏览次数:0次