CINEJ Cinema Journal | 卷:5 |
Between genres and styles in the films of Robert Bresson | |
Luíza Beatriz Alvim1  | |
[1] Federal University of Rio de Janeiro (UFRJ), Brazil; | |
关键词: Robert Bresson; French cinema; genres; classical music; Rococo painting; | |
DOI : 10.5195/cinej.2015.127 | |
来源: DOAJ |
【 摘 要 】
The films of French director Robert Bresson are considered sober and transcendental. However, in A gentle woman (1969) and in Four nights of a dreamer (1972), he included extracts of quite different genres, like a libertine comedy (the extract of film Benjamim by Michel Deville, 1968), a Shakespearean tragedy (a performance of Shakespeare´s Hamlet) and a gangster film (When love possesses us, produced by Bresson himself). In a way, those excerpts represent exactly the opposite of Bresson´s cinema. On the other hand, they still have some familiarity with it. We analyze the approach of those genres in the sequences in Bresson´s films, as well of the styles present in them by the use of music and images of paintings.
【 授权许可】
Unknown