Between “Feminist Congress” and “perversity”: the debates on gender in the pages of the theatrical composition Sonho de Ópio

Revista Eletrônica História em Reflexão

卷:14

Rebeca Natacha de Oliveira Pinto¹ 

[1] Universidade Federal Fluminense (UFF);

关键词: gênero. rio de janeiro. teatro de revistas. companhia de teatro são josé.;   

DOI  :  10.30612/rehr.v14i28.12152

来源: DOAJ

【 摘 要 】

Based on the composition Sonho de Ópio, staged by the Companhia Teatral São José, this work aims to reflect on the interwoven relationships between female political participation and the cultural universe of Rio de Janeiro in the First Republic. For this, the concept of gender becomes relevant, in an attempt to reframe women's performance and experiences, revealing social protagonism both in the public sphere and in private aspects (SCOTT, 1992; PERROT, 1988; THOMPSON, 1998). We will try to understand how the female characters “Suffragista” and “Perversidade” provide us with clues to understand how women, from different social segments, occupied the public space and the universe of entertainment in the 1920s, in the midst of profound gender inequalities.

【 授权许可】

Unknown