ALGERAN WOMEN’S RADICAL EVOLUTION IN ASSIA DJEBAR’S NOVEL CALLED LA FEMME SANS SEPULTURE AND FILM CALLED LA NOUBA DES FEMMES DU MONT CHENOUA / ASSİA DJEBAR’INMEZARI OLMAYAN KADIN ADLI ROMANIYLA LA NOUBA DES FEMMES DUMONT CHENOUA ADLI FİLMİNDE CEZAYİRLİ KADINLARIN KÖKLÜ DEĞİŞİMLERİ

Folklor/Edebiyat

卷:22

Ayşe Tomat Yılmaz¹ 

[1] Arş. Gör., Ankara Üniversitesi, Dil ve Tarih – Coğrafya Fakültesi, Fransız Dili ve Edebiyatı Bölümü;

关键词: Assia Djebar;    Algeria;    Colonialism;    Woman;   

DOI  :  

来源: DOAJ

【 摘 要 】

Assia Djebar is among the contemporary woman writers, who mark both Algerian andFrench literatures through her works that deal with the changing station of Algerian womanduring the history of colonialism. Djebar, who is also Algerian, turns towards authoring sinceshe is troubled with the situation that Algerian woman are in. She aims to be the voice of silencedwoman of her country by narrating the sensations and thoughts of Algerian women throughthe medium of her novels, short stories, poems and films.Algeria, which is characterized asa conventional society, is averse to becoming contemporary, urbanization, industrialization,individualization, technological advancements and innovations. This society that is attachedto tradition blindly, enforces the individuals to live in the direction of determined boundaries.Hence the customs that are inherited from generation to generation, cause women to lapseinto silence by defending that men are predominate to women. This situation of Algerianwoman undergoes a drastic change with the arrival of French colonialists to their country.During the early times of colonialists’s settling into Algeria, Algerian women become moreintroverted because bad attitudes of the settlers frighten them. But then over time, the statusesof women who have the chance to observe the French and who take sides with men in Algeria’sresistance against colonialists, begin to improve positively. Consequently, Algerian women’schanging statuses in the processes of colonialism, revolt and Algeria’s independency will bescrutinized in this study through Assia Djebar’s novel named as La Femme Sans Sépultureand film called La Nouba Des Femmes Du Mont Chenoua

【 授权许可】

Unknown