| Caliban: French Journal of English Studies | 卷:53 |
| L’écriture en creux du paysage de guerre dans le cinéma de Charles Chaplin | |
| 关键词: Charles Chaplin; camouflage; cinéma; guerre; lieux; Paul Nash; | |
| DOI : 10.4000/caliban.1023 | |
| 来源: DOAJ | |
【 摘 要 】
Chaplin’s art of comedy never shirked from tragic issues such as totalitarianism and Hitler’s persecution of the Jews in The Great Dictator and earlier, World War I in Shoulder Arms. This article aims at demonstrating how the denunciation of war is made through both a realistic picture of the trenches in Shoulder Arms as well as at the beginning of The Great Dictator. His imaginary representation acts as an indictment and a humanistic painting. Charles Chaplin shows the space of war through a visual form of writing in which the world of dreams gives a realistic picture of World War I through a hollow world depicted thanks to an elliptic writing.
【 授权许可】
Unknown