Retóricas de la pandemia. Derivas y resistencias en torno al arte argentino frente a la crisis del sida

Caiana: Revista de Historia del Arte y Cultura Visual

Francisco Lemus¹ 

[1] UNTREF- CONICET;

关键词: Homosexuality;    visual arts;    Micropolitics;    AIDS;   

DOI  :  

来源: DOAJ

【 摘 要 】

This paper investigates the political-discourse relations between Grupo de Acción Gay (1984-1985) and the aesthetic and curatorial model devised by Jorge Gumier Maier in the Gallery of Visual Arts of Centro Cultural Rojas (1989-1997) in order to reflect on gay subjectivity processes generated from the impact of AIDS in Buenos Aires and resistance strategies into the art scene of the nineties. From these ideas, this work analyzes a group of images produced by Marcelo Pombo between 1982 and 1989 that introduce some questions about the troubled socio-sexual identity of homosexuality and the rhetoric of elimination on the AIDS pandemic.

【 授权许可】

Unknown