What Determines the Perception of Segmentation in Contemporary Music?

Frontiers in Psychology

article

Michelle Phillips¹  Andrew J. Stewart²  J. Matthew Wilcoxson³  Luke A. Jones²  Emily Howard¹  Pip Willcox³  Marcus du Sautoy⁴  David De Roure³ 

[1] The Royal Northern College of Music, United Kingdom;Division of Neuroscience and Experimental Psychology, Faculty of Biology, Medicine and Health, Manchester Academic Health Science Centre, The University of Manchester, United Kingdom;Oxford e-Research Centre, Physical and Life Sciences Division, University of Oxford, United Kingdom;Mathematical Institute, University of Oxford, United Kingdom;The Alan Turing Institute, United Kingdom

关键词: music perception;    large-scale form;    segmentation;    contemporary music;    Ligeti;    live music;   

DOI  :  10.3389/fpsyg.2020.01001

学科分类：社会科学、人文和艺术（综合）

来源: Frontiers

【 摘 要 】

Background This study concerns the perception of musical segmentation during listening to live contemporary classical music. Little is known about how listeners form judgments of musical segments, particularly when typical section markers, such as cadences and fermatas, are absent [e.g., Sears et al. (2014) ] or when the music is non-tonal (e.g., in much contemporary classical music).

【 授权许可】

CC BY