The of Japan’s Pandemic Response as an Ideograph

Frontiers in Communication

Sasha Allgayer¹  Emi Kanemoto² 

[1] [e-mail];null;

关键词: ideograph;    ideology;    political discourse;    Japan;    coronavirus;    three cs;   

DOI  :  10.3389/fcomm.2021.595429

来源: Frontiers

【 摘 要 】

While the COVID-19 pandemic soared across the world and changed the political dynamics on a global scale, Japan was viewed by some news sources as a “miracle” exception that beat the anticipated projections by experts of how the virus would affect the nation. Though there are a number of potential guesses about Japan’s initial pandemic outcome, which include low numbers of testing, an existing culture of mask-wearing, sanitation, and certain degree of social distancing, the political environment and communication from the government have also been accredited to the so-called “success” of Japan’s pandemic experience. By using the concept of ideograph, this study rhetorically analyzes the key slogan that emerged from Japanese political discourse surrounding the COVID-19 situation: 3つの密 - Mittsu no Mitsu (The Three Cs). Specifically, the authors conclude the ways in which < Three Cs > function as a negative ideograph in this specific rhetorical context. By doing so, the authors argue that this slogan that stems from political discourse became culture-bound and serves as a present-day ideological construction in the form of an ideograph for collective governance to (un)justify certain behaviors.

【 授权许可】

CC BY