Art et géographie dans les représentations modernes du paysage, le cas des Pyrénées

Estudios Geográficos

Hélène Saule-Sorbé¹ 

[1] Université Michel de Montaigne

关键词: paisaje;    cuadro;    observación;    convenciones pictóricas;    ideología estética;    experiencia sensible;    paysage;    tableau;    observation;    conventions picturales;    idéologie esthétique;    expérience sensible;   

DOI  :  

学科分类：自然科学（综合）

来源: Estudios Geograficos

【 摘 要 】

By means of the work of three major authorities on Pyrenean geography, the intention of this communication is to underline the fusion between the sciences and art from the start of the 18th century until the 1870s. First, with Ramond, we see how the scientific method of direct observation is joined to aesthetic principles in landscape painting and how the convergence is widely disseminated by printed reproduction. It is precisely this fusion between theory and practice that Humboldt advocates in hisViews of NatureandCosmos . Secondly a new perspective is born (Violet-le-Duc, 1833) which, anticipating photography, liberates itself of conventions imposed by painting. The shift to this innovative vision is particularly attributable to the singular and brilliant work of Franz Schrader, who not only does not abandon an artistic point of view but rather links science and especially geography to the search for beauty central to Romanticism.

【 授权许可】

Unknown