Feminist Culture and Politics in Iranian Women’s Post-Revolutionary Poetry (1979-2017)

Feminist Encounters: A Journal of Critical Studies in Culture and Politics

Mahrokhsadat Hosseini¹ 

[1] University of Sussex, Brighton, independent scholar and poet who completed her PhD at the University of Sussex, UK, in 2017

关键词: phallogocentric;    self-enunciation;    dialogical;    deconstructionist;    feminine syntax;   

DOI  :  10.20897/femenc.201807

学科分类：社会科学、人文和艺术（综合）

来源: Lectito Journals

【 摘 要 】

This article shows how Iranian female poets in the post-revolutionary period, through their poetry, transgress several socio-cultural boundaries. The strategy of these women poets is the same: to become more visible, to raise their voice, to resist and to create a new identity not far off from their self. The article shows how the Iranian women poets in question attempt to promote ethical relations between human subjects through using their feminine writing. Their poems highly criticise an Iranian historical tradition that does not sufficiently recognise the presence of two different subjects—masculine and feminine— and which is not concerned enough with the ethics of relations between subjects. These poems can be analysed in terms of an Irigarayian framework that argues for a woman’s ability to establish herself as an independent subject. The Iranian authors/poets started to reform and rethink gender, and their poetry opens doors to Bakhtinian dialogism and eventually Iranian feminism.  The article argues, using Irigaray, that it is essential for Iranian women to create a “house of language”, a place in which they can practice living and articulating, so that they can achieve self-enunciation.

【 授权许可】

CC BY