Frontiers in Psychology | |
A Mapping Sentence for Understanding the Genre of Abstract Art Using Philosophical/Qualitative Facet Theory | |
Paul M. W. Hackett1  | |
关键词: perception of art; experience of art; facet theory; mapping sentence; mereology; ontology; aesthetics; art; | |
DOI : 10.3389/fpsyg.2017.01731 | |
学科分类:心理学(综合) | |
来源: Frontiers | |
【 摘 要 】
Whether we are philosophers or are members of the general public, during the course of our daily activities we sub-divide our phenomenological world and form categorial accounts of these experiences. The development of categorial ontologies, or sub-divisions of the most basic levels of our existence, has long been used to enable a clearer understanding of a specific domain of interest. Similarly, ontological scholarship has a long and distinguished history which continues to this day (see for example: Aristotle and Ackrill, 1975; Simons, 1987; Harte, 2002; Sider, 2005; Lowe, 2007; Chisholm, 2010; Poli and Seibt, 2010). Coffey (2016) provides an overall contemporary review of the use of ontologies by philosophers.
【 授权许可】
CC BY
【 预 览 】
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RO201901222105211ZK.pdf | 408KB | download |