Når veggene taler

Tidsskrift for Kulturforskning

Saphinaz-Amal Naguib¹ 

[1] Universitetet i Oslo

关键词: materiality;    visual culture;    street art;    graffiti;    calligraffiti;    Arab Spring;    Egypt;   

DOI  :  

学科分类：地球科学(综合)

来源: Novus forlag

【 摘 要 】

The present article is about the materiality of visual culture and the long-term impact of ephemeral art. Using a ‘flâneur approach’ the article examines the ways slogans voicing political contestation and demands for social changes were visualized into street art, graffiti and calligraffiti during the so-called Arab Spring in Egypt. The article posits that the Arab Spring did not merely disrupt the established political and social life in the country. It also prompted and gave room to varieties of artistic creations. Street art, graffiti and calligraffiti are among the most conspicuous forms of art of this brief period. Artists took upon themselves to chronicle events as they happened and to document political fluctuations and ambiances. They drew upon their people’s cultural memory to convey their political standpoint and expressed dissension and resistance by combining images and writings on the walls of the urban space.

【 授权许可】

CC BY-SA