Architectural and Artistic Design of Wooden Iconostases in New and Restored Temples

International Conference on Construction, Architecture and Technosphere Safety 2017

土木建筑工程

Yudin, V.^1

Architecture and Construction Institute, South Ural State University, Lenin Avenue 76, Chelyabinsk

454080, Russia^1

关键词: Architectural element;    Architectural style;    Artistic designs;    Monument Re constructions;   

Others  :  https://iopscience.iop.org/article/10.1088/1757-899X/262/1/012157/pdf
DOI  :  10.1088/1757-899X/262/1/012157

学科分类：土木及结构工程学

来源: IOP

【 摘 要 】

During various periods of the modern Russian history, religious architecture was viewed from different angles - at first, as a valuable fragment of a culture that had gone into oblivion, later - as a living tradition sprouting from ancient roots to the present and requiring reunification with it. Therefore, despite the obvious elaboration of the topic, the appeal to it does not lose its relevance turning in different facets of its aspects. The iconostasis is the most important architectural element of the church interior, a small likeness of the temple of heaven and earth. The planned destruction of iconostases in the Soviet era, violation of traditions, connections, continuity, lack of basic information on design, construction and technology of their production makes the study of wooden iconostases and the principles of their restoration and re-creation relevant and important for both theorists and practitioners of architecture, as well as restoration workshops. When reconstructing the monuments of the temple architecture, the architectural style is not always observed, therefore, an architectural and artistic appearance of a monument is violated. Besides, during the monument reconstruction the traditional features of the region in which the temple was located are not taken into account. This factor is the most important one because each region has its own traditional school of iconostases manufacturing and temples building. This article presents the results of the study on the design of the wooden iconostasis of the Church of the Intercession of the Virgin on the lower floor of the Savior's Transfiguration Temple (1894), in the NizhneSinyachikha Museum Reserve taking into account regional peculiarities.